Category: behind the grooves

Behind The Grooves:

I encourage followers to join my brand new page on Facebook. Just follow the lin

Behind The Grooves is creating Music blog | Patreon:

I’d like to direct followers to my page on Patreon, and encourage you to support the blog by becoming a sponsor. That can be done for as little as $5 a month, or more if you like. In the mean time, I will not be updating this page but will leave it up for the time being. 

Dear Tumblr Followers,


After eight plus years of posting the Behind The Grooves music blog here, I feel like I’ve reached a crossroads. The blog has experienced exponential growth in terms of people who follow and read it daily, over the last few years. But in recent months there has been a substantial leveling off, and slowing down of that growth.


While I deeply appreciate the positive feedback in terms of comments, likes and reshares of my work, I feel like I’m in a deep rut. 


Unfortunately, likes and re-shares haven’t gotten me any closer to my goal of seeing this writing moving to other media (i.e. physical book or e-book form). 

Though I’ve received a handful of donations from generous followers, my attempts at fundraising here have largely fallen on deaf ears. With over 22,000 + followers worldwide, only about a dozen people have ever donated. And with Tumblr not having any other method of generating revenue like banner advertising or sponsorship, I’m a loss as what to do next.


As a last resort, I’m seriously considering deleting this blog from here. If anyone can offer some sound advice as to what I can do to take this thing to the next level, I’d greatly appreciate it.


Thank you for your enthusiasm and support,
Jeff H.

On this day in music history: December 9, 1989 – “We Didn’t Start The Fire” by Billy Joel hits #1 on the Billboard Hot 100 for 2 weeks. Written by Billy Joel, it is the third chart topping single for the singer, songwriter and musician from Hicksville, Long Island, NY. Having just turned forty years old in May 1989, Billy Joel is inspired to write “We Didn’t Start The Fire” after a conversation he has with a young man in his twenties.  When they begin talking about past world events and people, the young man comments to Joel, You were a kid in the fifties and everybody knows that nothing happened in the fifties". To that statement Billy replies, “wait a minute, didn’t you hear of the Korean War or the Suez Canal Crisis?”. Beginning with the year of his birth, 1949, Joel looks up and writes down information on significant historic figures and pop cultural events chronologically leading up to the then present time (1989), then crafting them into structured lyrics. Working with Mick Jones of the band Foreigner as his co-producer, is instrumental in changing the arrangement of the song as how it had been written, to giving it a more driving “rock & roll” attitude. Released as the first single from his eleventh studio album “Storm Front” on September 27, 1989, it is an immediate smash. Entering the Hot 100 at #58 on October 14, 1989, it climbs to the top of the chart eight weeks later. The single receives a Grammy nomination for Record Of The Year in 1990. “Fire” also is the subject of numerous song parodies by comedians and other musicians. “We Didn’t Start The Fire” is certified Gold in the US by the RIAA.

Help support the Behind The Grooves music blog with a donation at: PayPal.Me/jharris1228

On this day in music history: December 9, 1974 – “Dark Horse”, the sixth album by George Harrison is released. Produced by George Harrison, it is recorded at Friar Park Studios (FPSHOT) in Henley-On-Thames, Oxfordshire, UK and A&M Studios in Hollywood, CA from September 1973, April – July 1974, September – October 1974. Harrison’s third post Beatles album is recorded at a particularly turbulent period which sees him struggling in many aspects in his personal life. To complicate matters further, Harrison is suffering from laryngitis during the recording sessions, but must complete the album in time to begin a tour that he is already committed to perform. The project features a number of guest musicians including Billy Preston, Nicky Hopkins, Jim Keltner, Ringo Starr, Tom Scott, Gary Wright, Willie Weeks, and Ron Wood. Critics dub the album “Dark Hoarse” due to Harrison’s vocals, but in spite of this it performs well commercially, spinning off two singles including the title track (#15 Pop) and “Ding Dong, Ding Dong” (#36 Pop). The latter song is inspired by engravings on the grounds of Harrison’s sprawling estate Friar Park, written by its former owner Sir Frank Crisp. A promotional video for the song is filmed at Friar Park, with George donning his famous collarless Beatles suit and Sgt. Pepper uniform. Inspired by Phil Spector’s “Wall Of Sound”, the song written as a “New Year’s Eve sing-a-long”, but becomes associated with the Christmas holiday over the years. The album is remastered and reissued in September of 2014 with the non LP B-side “I Don’t Care Anymore” (flip side of “Dark Horse”) and an early outtake of the title track added as bonus tracks. It is also remastered and reissued as a 180 gram vinyl LP, as a stand alone release and as part of the box set “George Harrison – The Vinyl Collection” in 2017. “Dark Horse” peaks at number four on the Billboard Top 200, and is certified Gold in the US by the RIAA.

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On this day in music history: December 9, 1972 – “Hot August Night”, the tenth album by Neil Diamond is released. Produced by Tom Catalano, it is recorded at the Greek Theater in Los Angeles, CA on August 24, 1972. It is Diamond’s second live album, the twenty two track double LP set is taken from a single performance recorded on August 24, 1972 at the Greek Theater in Los Angeles, CA, in the middle of a run of ten sold out shows at the famed outdoor venue. It is a huge critical and commercial success for Diamond, and establishes his reputation for dynamic live performances captured on the album. It also is his final release for MCA Records before signing a lucrative and long term contract with Columbia Records. The album spins off three sequels released in 1977 (“Love At The Greek”), 1987 (“Hot August Night II”) and 2009 (“Hot August Night/NYC”). The album is remastered and reissued as a two CD set in 2000, and again in 2012 for its fortieth anniversary with additional tracks that were cut due to the time constraints of vinyl. Out of print on vinyl since the late 80’s, the original version is reissued by UMe in 2012, and reissued again in 2017. “Hot August Night” peaks at number five on the Billboard Top 200, and is certified 2x Platinum in the US by the RIAA.

Help support the Behind The Grooves music blog with a donation at: PayPal.Me/jharris1228

Born on this day: December 9, 1957 – Singer and actor Donny Osmond (born Donald Clark Osmond in Ogden, UT). Happy 62nd Birthday, Donny!!

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On this day in music history: December 9, 1972 – “Me And Mrs. Jones” by Billy Paul hits #1 on the Billboard R&B singles chart for 3 weeks, also topping the Hot 100 for 3 weeks on December 16, 1972. Written by Kenny Gamble, Leon Huff and Cary Gilbert, it is the biggest hit for the Philadelphia, PA born R&B/Jazz singer. Gamble and Huff meet Paul at a local Philadelphia club in 1967 and begin working together shortly afterward. After several attempts to write a hit for the singer fail, they finally come up with a song that perfectly balances R&B and pop with Billy’s jazz vocal style. Recorded at Sigma Sound Studios with members of MFSB and arranged by Bobby Martin, it is the first single from Paul’s album “360 Degrees Of Billy Paul” on September 13, 1972. The song about an extramarital affair is the third R&B chart topper, and first number pop single for the fledgling Philadelphia International label. The single wins Paul a Grammy Award for Best R&B Vocal Performance, Male in 1973. Songwriters Gamble, Huff and Gilbert also later collaborate on “Don’t Leave Me This Way”, originally writing it for Harold Melvin & The Blue Notes in 1975. A cover version by Thelma Houston becomes a worldwide hit, topping the pop and R&B singles charts in 1977. It is also covered by The Dramatics and by Michael Buble. In 2000, Billy Paul’s original recording is used in a television commercial for Nike sportswear featuring track star Marion Jones. At the time, Paul had not received any royalty payments on the song in twenty seven years. He files a lawsuit against Gamble & Huff, their publishing company Assorted Music, Inc. and Sony Music Entertainment for back royalties. He wins the lawsuit and receives a sizable settlement and future royalties generated by his version of the song. Regarded as not only one of the greatest “Philly Soul” records of all time, but one of the best singles of the 70’s, “Me And Mrs. Jones” is inducted into the Grammy Hall Of Fame in 2018. “Me And Mrs. Jones” is certified Gold in the US by the RIAA.

Help support the Behind The Grooves music blog with a donation at: PayPal.Me/jharris1228

On this day in music history: December 9, 1972 – “I Am Woman” by Helen Reddy hits #1 on the Billboard Hot 100 for 1 week. Written by Helen Reddy and Ray Burton, it is the first US chart topper for the Australian born singer. After struggling and suffering numerous setbacks since arriving in the US in 1966, Helen Reddy lands her first chart hit with a cover of “I Don’t Know How To Love Him” (#13 Pop) from the musical “Jesus Christ Superstar” in June of 1971. Her first album also features a song titled “I Am Woman” co-written with fellow Australian musician Ray Burton. The original version receives little notice, but Reddy is asked to re-record the song for the film “Stand Up and Be Counted” starring Jacqueline Bisset, Steve Lawrence, and Loretta Swit. The new version features members of The Wrecking Crew playing on the track including Mike Deasy (guitar), Jim Gordon (drums), Michael Melvoin (piano), future James Taylor and Phil Collins side man Leland Sklar (bass) and background vocalists Clydie King, Vanetta Fields and Shirlie Matthews. Released as a single in May of 1972, “Woman” stalls at #97 on the Hot 100 on July 8, 1972 before falling off the chart. Undaunted, Reddy’s husband and manager Jeff Wald uses his considerable promotional skills to book his wife on various television variety and talk shows to re-promote the single. Positive response from female viewers to the song spreads to radio stations who are flooded with calls to play the record. Re-entering the Hot 100 at #87 on September 16, 1972, it climbs to the top of the chart twelve weeks later. “I Am Woman” becomes an anthem and rallying cry for the women’s equal rights movement as a result of its huge popularity. Reddy wins a Grammy Award for Best Pop Vocal Performance, Female in 1973, and in her memorable acceptance speech, she thanks her husband and “God, because she makes everything possible.” “I Am Woman” is certified Gold in the US by the RIAA.

Help support the Behind The Grooves music blog with a donation at: PayPal.Me/jharris1228

On this day in music history: December 9, 1966 – “A Quick One”, the second album by The Who is released (US release is in May 1967 under the title “Happy Jack”). Produced by Kit Lambert, it is recorded at IBC Studios and Pye Studios in London from September – November 1966. Issued one year and one week after their debut release “My Generation”, The Who’s second full length is an important turning point in the band’s career, as it marks Pete Townshend’s first foray into composing a “rock opera” in the form of the title track. The nine minute long suite of songs at the end of the album’s second side tells a story about a wife’s infidelity while her husband is away. “A Quick One While He’s Away” is also semi autobiographical, as it is the first time that Pete Townshend writes about the periods of separation from his parents as a young boy (in the opening movement “Her Man’s Been Gone”), living with his maternal grandmother, and the sexual abuse he suffers at the hands of one of her male friends (“Ivor The Engine Driver”). The mini opera is the genesis for Townshend’s later works “Tommy” and “Quadrophenia”. The other three members of the band also contribute songs to the album including John Entwistle’s “Boris The Spider”. The band’s US label Decca Records retitles the album “Happy Jack”, after their then current single (#24 Pop) which is added to the track listing. The cover artwork is illustrated by British pop artist Alan Aldridge (The Beatles, Elton John). Released on CD in 1988 with its original mono mix, the US CD release is issued in stereo with five tracks in re-channeled stereo. It is remastered and reissued in 2005, with some tracks newly remixed into stereo. The track “Whiskey Man” is still in fake stereo with the majority of the remaining tracks in mono. The mono version of the album is reissued as 150 and 200 gram vinyl pressings by Classic Records in 2005, with another reissue in 2015. “A Quick One/Happy Jack” peaks at number four on the UK album chart and number sixty seven on the Billboard Top 200.

Help support the Behind The Grooves music blog with a donation at: PayPal.Me/jharris1228